On Saturday, I’ll be at the Fiber Frolic at Beaver Lake Nature Center, demonstrating spinning and doing a variety of things fiber-y for people’s entertainment.

The Golden Fleece Spinners Society will have a story loom for public use.  It’s lots of fun, so come and add a few rows. You can use these  Leicester locks  which I’m dyeing today to add some colorful texture.

Thanks to Heather at Lochan Mor Farms for donating fiber for demonstrations! 

These are gorgeous locks.  They are bright white with creamy tips and a firm structure. Dyeing multicolored locks is all about the wide bottomed pot and leaving the locks alone while the dye does its thing.

Directions:
Fill the bottom of your pot with a few inches of water and add citric acid.  Pre-acidifying the water will make the color strike quickly.  This means that some areas are going to take up more dye than others.

Put locks in and let them soak for at least 30 minutes.

When you are ready to dye, add just enough water to keep the locks wet, not enough so that they are floating freely.   Sprinkle dye powder in a few places and use a wooden skewer to gently spread the locks a bit and disperse the dye without sending it over into the other areas of the pot.  You can also add concentrated liquid dye.  I find the powder gives a better color variation.

Then, put in the temperature probe set to 180F, turn on medium heat and walk away until the probe beeps.

Here’s the spot in the process where I made a mistake.  I was trying to do 27 things at once.  I forgot to add the handy dandy temperature warning probe which is my solution to trying to multitask.   The probe works by setting a goal temp- in this case 180F.  The probe hangs out in the pot and when the temp reaches 180, the base starts beeping.

Lots of people dye without using the probe.  You can just watch and wait until the pot almost comes to a boil and then turn down the heat.  I know myself better than that.

Normally,  the probe beeps, I catch the water before it boils, turn the heat down to low, and let the fiber sit in the hot, acidified water until

1) It reaches the color I would like,
2) the dye is exhausted & the water is clear or slightly milky, or
3) the fiber has absorbed all of the dye it is going to take.

It depends on the dye and the fiber, but that takes about 30-45 minutes- sometimes longer for a very saturated color.  If the dye isn’t exhausting, you can try adding more citric acid.  Or you may have used too much dye.  *Or* it may need to cool down for the last of the dye to take.

Here’s the important part.  After simmering, turn off the heat and walk away until the water cools to room temperature.  If you need to reinforcement, set the temperature probe for 70 degrees and don’t touch until the probe give you permission.

Really.  Don’t touch it.  Every time you poke at it, you will start to open up the locks and either risk felting or ruin the lock structure.

Today, touching the cooling locks was not my problem.  I forgot the probe but walked away waiting for the beep.  This pot went to boil.  Whoops!  These locks are pretty resilient.  It was tempting to start pulling on the fiber to see if it had felted.  I was surprisingly good about it.   I pulled the pot off the burner and walked away. (that’s unusual for me.  I’m a prodder)   Once it cooled, I was able to rinse thoroughly and get a rough idea of how things look.

The saying is, “It isn’t felted until it is dry.”   I’ll also add to that, “You don’t know the color until it dries.”   In this case, everything still feels nice and loose. The colors are bright and have a nice variegated look.  There may be some spots that are felted.  Felting happens with heat and agitation.  The boiling of the water was definitely adding agitation, so I’ll find out tomorrow if there are any sections that are locked up. If I start pulling on the locks today, I risk making any felting worse.  So, it’s out in the sun with a kitty for company.   The cat isn’t crazy about cold, wet wool in her sunbeam, but she’s agreed to share.

Most years, I love winter.  I love curling up under a quilt with a dog or two in my lap. Wearing thick, cuddly sweaters while drinking hot cider.  Coming in from snowshoeing and toasting my backside in front of the fire. I even like shoveling snow.

This winter has been awful.  It’s been burn-your-face cold alternating with  help, I’m trapped to the hip in salty slush-sand.

Yesterday, as it rained on the nice fresh snow again, my mood went from simple “let me play with the colors of nature to find Mary Oliver’s color”  to “hey, I have an idea for a Latin American garden”  to full-on gardenfest.  Geranium pinks, hydrangea purples and blues,  emerging bulb greens.  If I can’t have fun snow, then I’m ready for Spring!

The garden skeins are fun and fairly simple to do.  The greens were layered emerald green, kelly green and a bit of turquoise blended for variation.  I laid turquoise blue, violet and pink stripes in between the green sections and let the colors bleed.  I did some skeins with the color stripes reversing (green, purple, pink, purple, green)  and some with repeats (green, blue, violet, pink, green).  I didn’t have a pattern in mind for this, so I went for a shortish repeat that would make a nice color pattern on a basic sock.

I did get a little development work done.  I don’t know where this one will end up.  It’s quiet and soft without being muted. The base is a mill spun 80% merino/ 20% camel fingering yarn with a lovely natural camel-y color.  I love working with tan bases because you just know up front it’s going to be an earthy skein.

I pressed the skein into a thin sheet and used a syringe and my fingers to paint a watercolor across the yarn canvas.

I did end up wrapping and steaming this one, but for these watercolor painted skeins, I should set up a steamer tray that will keep the canvas flat.  In this case, the color mixing worked nicely.  I used some ruby red which made a nice burgundy wine when blended.  By the square inch, this is fairly balanced across the colors, but the turquoise definitely pulls everything together and stands out.

Even accounting for wet/dry color variation, I lost much more of the color than I was expecting.  I was going for Marquez- Hundred Years of Solitude.  Instead, it’s very English garden.   Still, a good first step.  I like the English garden look, so yea for that.  Best of all, I have a much better idea of the colors and saturation required for the Marquez painting.  Now I have to figure out how get it on the yarn!